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Notting Hill Carnival did not begin in 1966 — it began in 1959 as an act of racial repair.

A charity masquerading as a republic—and succeeding precisely because it refused to take its own sovereignty seriously.

Shakespeare without tickets, without theatres, without pretence—and with only one recording to prove it exists.

A massive, joyful, Black-led cultural project that television ignored—not because it was small, but because it wasn’t made for them.