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Feminist movement

It is not one movement. It is many movements—shaped by who is included, who is excluded, and what power looks like where they stand.

Worth your time?4/5Yes.Study the whole thing.What works, what does not, who it is for ↓
9:30in productionCh. 1 · What it is/ 9:30 · ceiling 15 min
4 chapters · 9:30Ceiling 15:00

The brief is written and checked. The video joins this page when it is cut.4 chapters · 1 min read · 9:30 planned

Read the brief

The feminist movement is not a monolith. It is a shifting constellation of campaigns, defined by who participates, where they are, and what inequality looks like on the ground.

Chapters & takeaways4
  1. 0:58
    What it is

    It is a set of campaigns—not a philosophy, not a doctrine, but organised action on women's issues rooted in inequality.

  2. 2:42
    Who it served

    First-wave feminism served middle- and upper-class white women; second-wave broadened scope but not necessarily inclusion.

  3. 4:18
    What it fights

    It names real, actionable issues: suffrage, equal pay, domestic violence, sexual harassment, reproductive rights.

  4. 5:42
    Where it changes

    Its priorities shift across borders: female genital mutilation in one country, the glass ceiling in another.

Worth your time?

Yes. Study the whole thing.

4/ 5
What works
  • as a diagnostic tool for inequality
  • as a map of contested terrain
What does not
  • iconic
  • groundbreaking
  • seminal
  • timeless
Study it if
  • policy-makers
  • organisers
  • students of social change
Skip it if
  • those seeking moral consensus
  • readers wanting a unified history
The written brief1 min read

What the thing is

A series of social movements and political campaigns aimed at reforming women’s issues arising from gender inequality. Its priorities have broadened over time. The movement has historically been structured around four “waves” marking periods of heightened activity.

Where it came from

It originated internationally with the 1888 establishment of the International Council of Women in Washington, DC; the term ‘Feminist Movement’ was coined in the late nineteenth century.

What it gets right

It names concrete issues: suffrage, equal pay, domestic violence, sexual harassment, reproductive rights, maternity leave. First-wave feminism focused on suffrage, political equality, education, property rights, organizational leadership, and marital freedoms. Second-wave feminism sought to address social and cultural inequalities beyond legal rights.

What it gets wrong

It centres privileged white women in its first wave and treats ‘waves’ as universal, though priorities vary by nation and community.

Why it matters now

Its priorities still differ across contexts—opposing female genital mutilation in one country, the glass ceiling in another—so it cannot be reduced to a single agenda.

Is it worth your time

Yes—if you need to understand how gender inequality is contested in practice, not theory.

Same beat · Movements & scenes4 of 166
9:47
EcofeminismEcofeminism is a critical framework that integrates feminism and political ecology, using gender to analyse human–nature relationships. It emerged from two sources: the 1974 coining of the term by Françoise d'Eaubonne in France, and the longstanding, cross-historical practice of women linking gender, race, class and environmental justice. Its strength lies in exposing culturally constructed parallels between the oppression of women and wildlife—not to equate them, but to reveal shared mechanisms of domination. Its weakness is the risk of retrojecting a named theory onto diverse, pre-theoretical actions—like the 1973 Chipko movement—without clarifying what the theory adds beyond naming. It matters now because climate governance still fails to centre the ecological knowledge and agency of women, especially in the Global South.
9:04
LGBTQ movementsLGBTQ movements are not a single wave but a succession of overlapping strategies—from Berlin in 1897 to Sweden in 1979—united only by the demand for equal rights. They succeeded where law changed before activism (France, 1791), and where protest forced institutional reversal (Sweden, 1979). Their durability lies in methodological pluralism—not consensus.
8:59
Young British Artists1988The Young British Artists were a loose group of visual artists who first exhibited together in London in 1988. They emerged largely from Goldsmiths’ BA Fine Art course (1987–1990) and the Royal College of Art. Their first collective act was Freeze—a self-organised exhibition in a London Docklands admin block, mounted by sixteen Goldsmiths students including second-year Damien Hirst. Commercial galleries had shown no interest. The show used shock tactics, throwaway materials and an oppositional yet entrepreneurial attitude. It established artist-as-curator as a precedent—and by the mid-1990s, artist-run spaces had become a feature of London’s arts infrastructure. Patronage (notably Charles Saatchi), media coverage and controversy propelled their prominence.
11:21
Taishō RomanTaishō Roman is a 1970s retrospective label — not a Taishō-era movement — coined to group Yumeji Takehisa’s romantic illustrations for Senoo sheet music. It originated from Natsume Sōseki’s ateji for 'Roman', gained traction around Yumeji’s 1974 centenary, and debuted publicly at the Suntory Museum of Art in October 1978. Its power lies in packaging nostalgia, not documenting lived culture.
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